1579 University Avenue · St. Paul, Minnesota 55104 · (651) 644-7605
ESTABLISHED IN 1965
Norwalk, Connecticut: Easton Press, 1991. Collector's Edition. Full Leather. 22 x 14 cm. Octavo. 537 pages. Bound in full brown leather with 4 raised bands to spine. Introduction by Charles Sheffield. Artwork by Bob Eggleton. Collector's notes and unused bookplate laid-in. Small scratch to gilt foredge. More
Norwalk, Connecticut: Easton Press, 1988. Collector's Edition. Full Leather. 22.5 x 14.5 cm. Octavo. 246 pages. Bound in full burgundy leather with 4 raised bands to spine. Introduction by James Gunn. Artwork by Vincent DiFate. Collector's notes and unused bookplate laid in. More
Norwalk, Connecticut: Easton Press, 1990. First edition. Full Leather. 22 x 15 cm. Octavo. 342pp. Bound in full blue leather with 4 raised bands to spine. Signed by the author. Silk moire ribbon and endpapers. Laid-in unused bookplate. More
Norwalk, Connecticut: Easton Press, 1987. Collector's Edition. Full Leather. 23.5 x 16 cm. Octavo. 239pp. Bound in brown leather with 3 raised bands to spine. Laid-in collector's notes and unused bookplate. More
Norwalk, Connecticut: Easton Press, 1989. First edition. Full Leather. 22 x 15 cm. Octavo. 240pp. Bound in full brown leather with 3 raised bands to spine. Signed by the author. Laid-in unused bookplate. Light scuffing to gilt foredge. More
Norwalk, Connecticut: Easton Press, 1986. Collector's Edition. Full Leather. 23.5 x 16 cm. Octavo. 250 pages. Bound in full brown lather with 3 raised bands to spine. Introduction by Kurt Vonnegut. Illustrations by Vincent DiFate. Laid-in collector's notes and unused bookplate. More
Norwalk, Connecticut: Easton Press, 1990. Collector's Edition. Full Leather. 22.5 x 14.5 cm. Octavo. 469 pages. Bound in blue leather with 3 raised bands to spine. Laid-in collector's notes and unused bookplate. The covers are a bit toned, appearing somewhat darker then the spine. More
Norwalk, Connecticut: Easton Press, 1990. Collector's Edition. Full Leather. 21 x 13.5 cm. Octavo. 188pp. Bound in full brown leather, 2 raised bands to spine. Collector's notes and unused bookplate laid-in. More
Norwalk, Connecticut: Easton Press, 1991. Collector's Edition. Full Leather. 21 x 13.5 cm. Octavo. 248pp. Bound in red leather with 3 raised bands to spine. Introduction by Edward Bryant. Artwork by Debbie Hughes. Collector's notes and unused bookplate laid in. More
Norwalk, Connecticut: Easton Press, 1989. First edition. Full Leather. 22 x 14.5 cm. Octavo. 311pp. Bound in red leather with 3 raised bands to spine. Signed by the author. Silk moire endpapers. Introduction by James Gunn. Artwork by Ron Miller. Spine is faded. More
Norwalk, Connecticut: Easton Press, 1989. Collector's Edition. Full Leather. 22.5 x 14 cm. Octavo. 222pp. Bound in grey leather with 3 raised bands to spine. Introduction by Marshall B. Tymn. Artwork by Ricahrd Powers. Collector's notes and unused bookplate laid-in. More
Newton Abbot: David & Charles, 1983. Third impression reprint. Hardcover. octavo. 487pp. Nice copy in dust jacket. Sunned jacket spine. More
Loindon: Macmillan and Co. Ltd, 1916. First edition. Hardcover. 19.5 x 13 cm. Sm 8vo. 213 pages. Blue cloth with gilt design by T.Sturge Moore. Color mounted frontispiece and two additional black and white illustrations.. Printed bookplate for Eleanor and Fred Reid by Jack Yeats. . Light rubbing to corners..... More
London: J.M.Dent & Sons LTD, MCMXXVIII. Limited edition. Hardcover. Folio.(16" x 11') 259pp. Gilt lettering to spine. Ties. This edition is limited to 675 numbered copies of which 350 are for sale in Great Britain and 300 in the USA. This is number 491. Front gutter cracxked. Closed tear at..... More
New York: Mitchell Kennerley, 1908. Limited edition. Wraps. 32mo. Unbound vellum sheets.SIGNED by Richard Gallienne on half-title page. One hundred numbered copies of this book have been printed on Japan Vellum with an additional quatrain not appearing in the trade edition.This is number 24. Printed for Mitchell Kennerley by O.H...... More
New York: Keramic Studio Publishing Co., 1909. Hardcover. 4to. Bound in one volume. The Class Room No. 1. The Class Room No. 2. One year of Keramic Studio publication. January 1916 of Keramic Studio. XVII. No. 9 - December 1916 XVIII No. 8. Color and black and white illustrations. Closed..... More
Oxford University Press, 1943. First edition. Hardcover. 16mo. (7" x 6 1/2") Gray boards with white title label. 12 full page color illustrations by Tasha Tudor. Light spotting at spine and front cover edge. More
London: John Murray, 1892. Full Leather. Octavo. (8" x 5 1/2") Bound in full brown leather. Five rfaised bands. Leather title label. Gilt lettering and design to cover and spine. Signed binding by Maclemose Glasgow. Darkening to the front top of cover.Many plates and black and white drawings. More
New York: Privately Printed At the Sign of the Gosden Head, November 1935. Hardcover. Large quarto. 1/2 tan leather with blue boards.Gilt lettering to spine. Limited to 1000 copies. Illustrated with lithographs, woodcuts, etchings and drawings. Small nick at spine. Corners bumped and rubbed. More
New York: Julian Messner, 1939. First American edition. Hardcover. 300pp. Translated from the Russian. Nice copy in a lightly chipped dust jacket. Name of previous owner on front pastedown. More
Random House, September 30, 2003. First edition. Hardcover. Quarto. 351pp. Name and date of previous owner on front endpaper. A very nice copy in dust jacket. More
Prestel-verlag, 1988. Unknown. German text. Quarto. 319pp. Name of previous owner on front endpaper. Very nice copy in dust jacket. More
Pomegranate Communications, August 2004. First edition. Hardcover. Quarto. 116pp. A very nice copy in dust jacket. Jacket spine lightly sunned. More
Hallmark Play Books, no date (circa 1970's). Wraps. Color pictorial stiff wrappers. Three full color pop-ups. All pop-ups in very nice condition. Four pages of text. Gift inscription on front endpaper. Black magic marker line on front cover. More